UE Department of Music















     
Keyboard Studies

Student Performances
Visiting Artists
The Musical Community
Keyboard Faculty
Audition Requirements
UE Piano Series
Piano Proficiency Requirements for Non-Keybaord Majors

The University

Keyboard students at the University of Evansville study with highly skilled teacher-performers in the context of a small, closely-knit liberal arts institution. The low student-faculty ratio and teaching emphasis of the university give all keyboard students the benefit of close personal contact with their teachers and each other.

Student Performances

The small size of the department-around 120 students-ensures that all students have ample opportunity to participate in master classes, weekly studio classes, weekly student recitals, a concerto competition and degree recitals. Keyboard students at UE also have the opportunity to accompany singers, instrumentalists and choirs and to participate in large and small ensembles, benefitting from frequent coachings by different faculty members. Students perform on two Bösendorfer concert grand pianos, four organs made by Holtkamp, Fisk, and Reuter and two harpsichords made by Dowd and Jones.

Visiting Artists

In addition to frequent faculty solo and chamber performances, the Department of Music hosts an organ series, piano series and other guest recitals, lectures and master classes by world-renowned artists. Organists appearing since 1963 include William Albright, Robert Clark, David Craighead, Lynn Davis, Stanislas Deriemaeker, John Ferguson, Robert Glasgow, Naji Hakim, Peter Hurford, Arthur Poister, Simon Preston, Russell Saunders and Guilien Weir.

Piano master classes:

2007-2008
Frederic Chiu
Milica Jelaca Jovanovic
Philip Thomson
2006-2007
Ian Hominick
2005-2006
Nino Cocchiarella
Gila Goldstein
2004-2005
Alessandra Ammara
Jon Nakamatsu
Kevin Ayesh
2003-2004
Marc-André Hamelin
Andreas Klein
William Westney
2002-2003
Kenneth Drake
Norman Krieger
Allen Reiser
André Watts
2001-2002
Corey Hamm
Karen Shaw
Mayron Tsong
2000-2001
Kenneth Drake
Wendy Chen
Alan Hersh
Abbey Simon
Jon Nakamatsu
1999-2000
Andrew Russo
Duo Turgeon
1998-99
Peter Gach
Alan Hersh
1997-98
Roger Wright
Abbey Simon
1996-97
Ralph Votapek
Mecedes Veglia
1995-96
Michael Ard
Arthur Greene

The Musical Community

Evansville is home to several active musical organizations, many of which sponsor competitions. These include the Indiana Music Teachers Association, the National Federation of Music Clubs, the Key Society, the National Guild of Piano Teachers and the American Guild of Organists.

UE students also have the opportunity to hear world-class concerto soloists with the Evansville Philharmonic Orchestra. Soloists from recent seasons include Tzimon Barto, Fabio Bidini, Wendy Chen, Janina Fialkowska, Jeffrey Kahane, Andreas Klein, Alexander Korsantiya, Norman Krieger, Louis Lortie, Jon Nakamatsu, Garrick Ohlsson, Stephen Prutsman, Jeffrey Siegel, Susan Starr, Alexei Sultanov, Jean-Yves Thibaudet, James Tocco and André Watts.

Faculty

Anne Hastings Fiedler is currently Professor of Music at the University of Evansville, where she also serves as Music Department Co-chair and Keyboard Area Head. An active soloist, recitalist, and collaborative pianist, she has been featured on numerous occasions with the Evansville Philharmonic, the Evansville Chamber Orchestra and the University of Evansville Orchestras. She has collaborated nationally with a variety of soloists and ensembles, including International Trumpet Guild and International Double Reed Society events. She is active with over eight performances annually on the University of Evansville Faculty Recital Series and currently holds two contracts with the Evansville Philharmonic Orchestra: one as principal keyboard and another as a violinist.

Prof. Fiedler has Bachelor of Music with Highest Honors and Master of Music Degrees from the University of Illinois. In addition to studio piano teaching, she has taught courses in theory, orchestration, pedagogy and accompanying. She has reviewed theory texts for McGraw Hill Publishing and served as an adjudicator for numerous competitions, most recently at the state level for Indiana and Kentucky State Teachers Associations, Indiana School Music Association and the National Federation of Music Clubs. In the community, service includes the presidency of the Greater Evansville Chapter of the Indiana Music Teachers Association and membership on the Evansville Philharmonic Board and Players Committee.

A finalist and prizewinner in the National Beethoven Piano Sonata Competition, other distinctions are biographical listings in American Keyboard Artists, Outstanding Young Women of America and Who's Who Among American Teachers.

Douglas Reed has performed in the United States, Canada, Europe and the Far East. Concert tours have taken him to England, Belgium, France, Scotland, Norway, the Czech Republic and Japan with performances in major cultural centers such as Paris, Prague, Antwerp and Yokohama. In addition to a solo harpsichord concert at Carnegie Recital Hall in New York City, he has performed for the Eastman Musica Nova Series in Rochester, the University of Michigan Contemporary Directions Series in Ann Arbor, the Organ Historical Society National Convention in Chicago and numerous chapters of the American Guild of Organists.

His keen interest in the music of the French Classic composers, early German music and nineteenth and twentieth century French Romantic literature leads him to perform the widest possible variety of musical styles. He also has commissioned and premiered compositions by William Albright, Naji Hakim, Sydney Hodkinson and Alan Hovhaness. Dr. Reed performs as organist and harpsichordist on an ARKAY CD, William Albright: Music for Organ and Harpsichord. His recording premiere of William Albright's Four Fancies for Harpsichord, originally released by the Eastman School of Music on the Pro Viva label, was re-released by Albany Records as part of Eastman's Contemporary Music series. Douglas Reed performs on the C.B. Fisk Organ. Opus 98 and Douglas Reed Performs on the Taylor & Boody Organ are available on Mulberry St. Recordings.

Dr. Reed's most recent recording is a 2-CD set, In Memoriam William Albright, on the EQUILIBRIUM label. Performed on the C.B. Fisk Organ, Opus 110 in Minato Mirai Concert Hall, Yokohama, Japan, the recording includes two versions of The King of Instruments, one narrated in English by well-known radio-host, Michael Barone, and the other in Japanese by Sumiko Murashima. Michael Udow is percussionist.

The Cambridge Companion to the Organ, published by Cambridge University Press, includes Dr. Reed's chapter North American organ music after 1800.

Dr. Reed is professor of music and University Organist at the University of Evansville where he teaches organ, harpsichord, music theory and sacred music courses. He has received numerous research grants and awards for creative activity from the Indiana Arts Commission and the National Endowment for the Arts, the Mesker Trust and the University of Evansville. He was the 1995 recipient of the University's Sadelle and Sydney Berger Annual Award for Scholarship and Creative Activity.

Dr. Reed holds the bachelor and master of music degrees in organ performance from the University of Michigan and a doctor of musical arts in performance and organ literature from the Eastman School of Music where he also earned the Performer's Certificate. His major organ teachers include Robert Clark, Robert Glasgow and Russell Saunders.

Pianist Garnet Ungar has appeared throughout North America as soloist with orchestra, in recitals and masterclasses at major universities, and in solo and chamber broadcasts on Public Radio and the CBC. He has performed in Switzerland and England, and his recording of the Brahms Second Piano Concerto with the Varna Philharmonic in Bulgaria is distributed nationally on the Americus label. John Bell Young's glowing review in Clavier Magazine praised the performance as "powerful and precise…having solidity and passion, a magisterial presence, structural integrity, immediacy and intensity." 2007 will take him to Sweden, England, Canada, the United States, and Hong Kong for solo recitals.

Dr. Ungar has served on the piano faculties of Mount Royal College in Calgary and the University Settlement House in Toronto. He currently serves as Associate Professor of Piano at the University of Evansville in Indiana on the piano faculty of the Music at Maple Mount Summer Institute in Kentucky. He regularly adjudicates competitions including the Hong Kong Schools Music Festival. His private students habitually capture top prizes in local and state competitions and perform frequently with professional orchestras.

Born in Montréal, Québec, Dr. Ungar obtained degrees in piano performance from the Universities of Toronto, Calgary, and Houston, where his principal teachers were Abbey Simon, Ruth Tomfohrde, William Aide, and Marilyn Engle. Additional studies include sessions at the Royal Conservatory of Toronto, where he obtained an Associate Performer's diploma, with Marek Jablonski at the Banff School of Fine Arts, Marc Durand and Anton Kuerti at the Centre d'Arts Orford in Québec, and Bernard Ebert at the Académie de Musique de Sion in Switzerland. His hobbies include web design, rebuilding plumbing and electrical systems, working on his dairy farm, and smoking cigars.

Audition Requirements

Performance: Three memorized compositions from different stylistic periods (Baroque, Classical, Romantic, Modern).
All other degrees: Two compositions, at least one memorized, from different stylistic periods as given above.

Additional information may be obtained by contacting Anne Fiedler, Douglas Reed, or Garnet Ungar, or by writing to The University of Evansville Department of Music, 1800 Lincoln Avenue, Evansville, Indiana, 47722. Telephone (812) 488-2754.